IEA Spring 2024 Resident Artists

Spring 2024 Resident Artist Schedule:

Jessica Earle - January 8th - 21st.

Public Presentation Wednesday, January 17, 4:30pm Holmes Auditorium

Jessica Earle received her BFA from Eastern Washington University (2015), where she focused on digital media and sculpture, 并于2017年毕业于皇冠体育app，获得电子与综合艺术硕士学位. She works with a variety of digital and electronic media, such as video installation, sound, and digital print media. She works with personal and found imagery to explore themes of landscape, identity, and mental health. Jessica works in iterations, reworking and re exploring her work to unearth her true intentions, and to find new context within new installation sites.

Chris Fritton - January 22nd - February 4th

Public Presentation Thursday, February 1, 4:30pm  Holmes Auditorium

Chris Fritton is a poet, printer, and fine artist, who has over two decades of experience writing, printing, and making his own books, in addition to collaborative efforts with other authors and artists. 他是布法罗西部纽约图书艺术中心的前工作室总监, NY, 并曾担任纽约艺术基金会绘画奖学金的评审小组成员, Printmaking, and Book Arts (2014). 2007年，他与凯文·瑟斯顿共同创办了备受赞誉的布法罗小型出版社书展, and organized the fair solo from 2009-2016. Currently, Fritton is working on a long-term project called The Itinerant Printer, 他在六年内走访了北美近200家凸版印刷厂, covering over 75,000 miles and making over 30,000 prints on the road. 最近，他在一本超大的咖啡桌书中完成了这次旅行的高潮，书中记录了所有的地方, prints, and people from along the way.

He has been an artist-in-residence at AS220 in Providence, RI, the Denbo Fellow at Pyramid Atlantic Art Center (2015), a TEDx Buffalo speaker (2017), a main presenter at Typecon (2019), the featured speaker at the 10th Annual Los Angeles Printers Fair, and an instructor/visiting artist/presenter at numerous institutions, including the Library of Congress, the Letterform Archive, the Penland School of Craft, MIAD, RISD, MICA, VCU and the School of Visual Concepts. 弗里顿曾在《新皇冠体育最新版本》杂志、《新皇冠体育最新版本》、《新皇冠体育最新版本》等杂志上发表文章. He holds a BA in Philosophy (1998), a BA in Poetics (2000), and a BA in Art History (2010) from SUNY at Buffalo, as well as an MA in Poetics from the University of Maine at Orono (2005).

Kara Güt and Clare Gatto - February 5th - 18th

Public Presentation Thursday February 8, 4:30pm Holmes Auditorium

Kara g和Clare Gatto是两位基于图像的数字艺术家，他们合作的混合装置受到了幻想角色扮演视频游戏设计的启发. 这些装置是基于他们自己创造的一个虚构的幻想世界, called “The Cloud of Unknowing.” Each installation serves as a “level” for the game, becoming a generated constellation of patterns and texture, using the image as its central building material. Using strategies of input/output, they construct spaces that collage the physical and digital, creating imperfect translations and impossible objects. Existing within this precarious duality, the works emerge as copies of copies, or artifacts extruded through digital space and back again. The duo attended Ohio State University and Cranbrook Academy of Art. They live and work in Detroit, MI and Cleveland, OH respectively. Each maintains an individual practice, are involved in the artist community of the Midwest, and exhibit nationally and internationally.

Mizin Shin - March 11th - 17th

Born and raised in South Korea, Mizin Shin is a US-based visual artist. Leading numerous printmaking workshops with a number of art organizations, Shin专注于传统和当代版画实践，以促进媒介的多学科方法.
Shin的作品已经在美国各地的机构在国内和国际上展出, Belgium, Spain, the UK, India, 在包括“多重一体:印刷媒体的当代视角”等展览中展出, International Print Center New York: New Prints, Wheaton Biennial: Printmaking Reimagined, and Screenprint Biennial. She is a 2022 fellow of the Civitella Ranieri artist residency in Italy.

Mizin Shin graduated from Hong-ik University with a B.F.A in Printmaking and received her M.F.A from State University of New York at Buffalo. Shin is an Assistant Professor in the Department of Art & 他是罗切斯特大学艺术史专业的教授，也是纽约州布法罗市Mirabo Press的联合创始人. 她曾担任Mid America Print Council的董事会成员和the Print Club of Rochester的副总裁(从2020年到2022年).

Kamari Carter - March 18th - 31st

Public Presentation Thursday, March 28, 4:30pm Holmes Auditorium

Kamari Carter is a sound designer, and installation artist primarily working with sound and found objects. 卡特的实践通过各种记录和放大技术来规避物质性和熟悉性，以探索空间等概念, systems of identity, oppression, control, and surveillance. 由感知的可证明性以及对话和社会科学的概念驱动, he seeks to expand narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mana Contemporary, RISD Museum, The Perez Art Museum Miami, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, Flash Art Magazine, LevelGround and WhiteWall. 卡特拥有加州艺术学院音乐技术学士学位和哥伦比亚大学声音艺术硕士学位，现为纽约显微镜画廊代表.

DB Amorin - April 8th - 21st

Public Presentation Thursday, April 11, 4:30pm Holmes Auditorium

DB Amorin (b. Honolulu, 夏威夷)是一位跨学科的媒体艺术家，他探索视听非线性作为交叉体验的容器. 他经常强调错误的生成作用是创造的机会, resulting in media-centered projects driven by DIY methodologies, lo-fi translations, and persistent, inquisitive experimentation with available materials. 他的作品获得了包括泽西城艺术委员会在内的受人尊敬的组织的奖项, Oregon Arts Commission, the Ford Family Foundation, Regional Arts & Culture Council, 由安迪·沃霍尔视觉艺术基金会和书法基金会资助，波特兰当代艺术研究所(PICA)管理的“悬崖基金”. His visual art, performances, curatorial & collaborative programming have been presented internationally at A4 Arts Foundation; the ImagineNative Film + Media Arts Festival; Onassis Foundation; Mass MoCA; ICA at MECA&D; Luggage Store Gallery; Soundwave ((7)) Biennial; PICA; Portland Art Museum; the Honolulu Museum of Art; Honolulu Biennial 2019.

Michael Betancourt - April 22nd - May 5th

Public Presentation Thursday, May 2, 4:30pm Holmes Auditorium

“I break things and play with the pieces; I realize this act is an historically nihilistic gesture, but that is not my interest: the flash of recognition—faces, words, stories, spaces—is my focus. My work challenges understanding the computer as only an instrument of valorization, seduction, or assault. 我从1990年开始系统地腐蚀和破坏媒体的原因是通过打破技术图像的幻觉完美来创造一种批判性的表达, 但我的意图与我的符号学方法无关:观众将看到他们的希望和恐惧, education and desires taught/allow them to see. The immanent give-and-take between those quotations the audience recognizes, what’s called “intertext,” and what’s produced using the medium, the “text,通过从感知本身制作戏剧艺术，将小故障与幻想传统联系起来——这种图像的形状和模式是表演者，他们的行动既不能预测也不能提前描述, 而是直接来自数字技术——在不可知的空间里的未知冒险. Yet I’m not interested in technological determinism, formalist exploration, 也不是任何武断和反复无常的东西:我感兴趣的是表达基本的人类情感——狂喜, sensuality, 吸引-通过小故障，鼓励观众在日常生活中找到诗意的意义.”

The IEA is supported by the National Endowment for the Arts, 纽约州艺术委员会在州长凯西·霍赫尔和纽约州立法机构的支持下成立, the Schein-Joseph Endowment and the Ralph C. Wilson, Jr Foundation.

国际能源署是艺术与设计学院内的一个高科技研究工作室, which encourages and supports projects that involve interactive multi-media systems, experimental sonic/video production, digital imaging, and publications. 国际能源署致力于在技术实验和艺术研究的推动下发展文化互动.

The IEA offers two types of residency: Time-based/ New Media and Print Media. 国际能源署的视频和声音工作室为艺术家提供了一个集成的实时视频系统, image-processing software, hardware and video capture. 国际能源署(IEA)的实验性印刷媒体项目驻场计划寻求想要探索数字印刷媒体技术的艺术家，以进一步扩大他们的工作实践. Artists  have access to state-of-the-art digital arts facilities.